• Copyright and Licensing Policy Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. But the re-published work may not, under any circumstances, be made available online. If deemed publishable for our journal, the manuscript is then forwarded to the second stage, a longer review, which measures the manuscript more deeply against current scholarship in the field. Questions about submissions may be directed to the editor: Loren PQ Baybrook, Editor, Film & HistoryLawrence University, Memorial Hall B5711 E. Boldt WayAppleton, WI 54911USA. Copyright and publishing rights on articles is retained by the author(s). If any dispute should arise after publication, an author may, with editorial consent, publish limited correction(s), or the author may request a retraction of his or her name from the article (see “Fair Use,” next section). While no major alterations will be carried out without the author’s consent, the editors reserve the right to make minor editorial changes to any format, punctuation, grammar, or spelling errors. Because of scheduling constraints, a contributor must reply to F&H within 10 business days after transmission of the edited manuscript; otherwise, it will progress, at the editor’s discretion, toward publication in its edited form. History and Theory accepts no responsibility, and contributors themselves must bear full responsibility, for opinions expressed in contributions published in the journal.Nevertheless, because the journal publishes no letters to the editor, nor any other exchanges in which comments on individuals may be rebutted by them, we have a responsibility not to publish injurious comments. The JAH welcomes submissions of articles on all topics related to American history, as well as suggestions for possible historiographical essays, round tables (sets of related articles), "Textbooks and Teaching" themes, and online conversations ("Interchange").. Articles for New Approaches section are accepted on an ongoing basis and published throughout the year. All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Submission Guidelines — Federal History Manuscripts can be submitted electronically in Microsoft Word to the journal editors at firstname.lastname@example.org.They should contain the author’s name at the top of the first page only, as they will be sent to reviewers. Please feel free to contact us: film-history[AT]uni-bremen.de, • Open Access Policy Abstract: For articles that require it, the abstract should not exceed 400 words. To guarantee long-term preservation, Research in Film and History deposits the articles in the open access repository for academic publications in the field of film and media studies media/rep/, in the archive of the State and University Library Bremen and the German National Library. Le Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques est la principale revue universitaire canadienne d'études cinématographiques évaluée par les pairs. It also leads to the possibility of duplicate publication, which diminishes the distinctiveness and originality on which academic journals depend for their survival. The Historical Journal of Film, Radio and Television explores the history of audio-visual mass media and considers its impact on political and cultural history. Research in Film and History is an open-access journal which means that all content is freely available without charge to the users or their institution. Description. Further changes may be then suggested by the General Editor. Author Guidelines. Film Quarterly > Film Quarterly , a journal devoted to the study of film, television, and visual media, publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. Publishers are insulated in this way from charges of arbitrariness. On the basis of the reviews, the editors then make a decision on whether to accept without any changes, accept after minor revision, accept after major revision, send for a second peer review after major revision, or reject an article. If a contributor should choose to retract his or her name from a published article, the journal usually will honor that request, but the edited/published article remains the exclusive property of the journal and may, at the editor’s discretion, be retained online and in print and may be used in future publications by the journal. For themed issues, please check our News section to read announcements about open calls for articles. Submission Guidelines. Submission of work for potential publication in the journal will be taken as evidence of the author’s awareness, understanding, and acceptance of the policies outlined here. Research in Film and History does not levy article processing charges (APCs) or any other author fees to submit or publish an article. This is in accordance with the BOAI (Budapest Open Access Initiative) definition of open access. Please read the full text of the Creative Commons Licensing Statement here. Decisions about argument also represent a compromise whenever matters of clarity, accuracy, evidence, organization, logical flow, or any other matters related to efficacy are involved. Film and book titles in your manuscript should be italicized rather than underlined. If a work is a work made for hire, the employer or other person for whom the work was prepared is the initial owner of the copyright unless there has been a written agreement to the contrary signed by both parties. In the case of acceptance, final decisions about the style of the published version of an author’s manuscript represent a compromise between editors and authors. Under the spell of a group of East Coast-based auteurists (mainly Howard Mandelbaum of New York, and Robert Smith and Jeffrey Wise of the University of Connecticut) and with the help of lithographer brother Michael and a job as a typesetter and film critic at the Clifton-Vine Reporter newspaper in Cincinnati, Gary Morris published the first issue of Bright Lights Film Journal in 1974. We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. We invite individuals from all ages, backgrounds, cultures, and socio-economic circumstances to be a part of living history by keeping a journal in 30, 60, 90, 120-day, or any longer OR shorter increments, and contributing their journalistic efforts to the National Women’s History Museum. Description: The Journal of Film and Video, an internationally respected forum, focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. Please consider the following Style Guide for Authors. All articles are distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Films which reflect history; A LITTLE HISTORY. The Historical Journal continues to publish papers on all aspects of British, European, and world history since the fifteenth century. The journal, as first owner of the copyright, retains exclusive rights to publication of the edited/published manuscript thereafter. No full-length articles or reviews (or significant portions thereof) may be reproduced in any digital or online format for either open-access or proprietary distribution to consumers. Film-Philosophy is an international, open access and peer-reviewed academic journal dedicated to the engagement between film studies and philosophy.. Film-Philosophy considers articles on any subject relating to film and philosophy. • Archiving Policy List of issues Latest articles Partial Access; Volume 40 2020 Volume 39 2019 Volume 38 2018 Volume 37 2017 Volume 36 2016 Volume 35 2015 Volume 34 2014 Volume 33 2013 Volume 32 2012 Volume 31 2011 Submissions for New Approaches section are accepted on an ongoing basis and will be published throughout the year. Film History publishes original research on the international history of cinema, broadly and inclusively understood.
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